In Advance of the Broken Arm
Harps and Angels
Autumn of the Seraphs
Vedette
String Quartet #9
From the Lion's Mouth
Cancion Animal
Third
Finger Poppin'
Kala
Accelerate
Posted on March 28th, 2008 by Scraps.
Categories: Music.
I try to include a variety of styles in the Name That Tune games, and I try to include a reasonable amount of recent stuff. I've been finding it difficult to include much hip-hop, though: first, I try not to have clips with verbal vocals, because they're too easy to guess, and hip-hop is heavy on vocals and light on instrumental breaks; second, a lot of hip-hop is built on samples, and that's confusing for the players.
Posted on March 28th, 2008 by Scraps.
Categories: Words, Pedantry.
If you object to the use of "literally" as a metaphor intensifier, shouldn't you object to "veritable" as well? And "absolutely"? And "truly"?
Posted on March 28th, 2008 by Scraps.
Categories: Music.
My latest Name That Tune game goes up at Popdose in five minutes!
Posted on March 21st, 2008 by Scraps.
Categories: Music.
My 10th Name That Tune game for Popdose goes live in fifteen minutes (12:30 PM New York). Come on over!
Posted on March 19th, 2008 by Scraps.
Categories: Stuff.
Another fake album cover:
Posted on March 17th, 2008 by Scraps.
Categories: Stuff, Elsewhere.
What a great idea: a slightly labor-intensive but fascinating method for generating faux indie rock album covers. The examples shown on Brainiac's page are excellent, but check out the entire archive, too.
When I get home, I'm going to make some of my own.
Posted on March 16th, 2008 by Scraps.
Categories: Music.
Early in the year, Boston's Kevin Garnett had most of the media support for NBA Most Valuable Player. Then Boston faded a bit, and they started looking around for competition. Kobe Bryant's partisans started making noise, since he is (supposedly) the best player in the game yet has never won the MVP, and the Lakers were improved, despite Bryant's preseason wish to be traded. So the Lakers' General Manager, Mitch Kupchak, pulls off the trade of the year, stealing Paul Gasol from Memphis, and the Lakers promptly rose through the ranks of the incredibly tough West to the top team. As a result, MVP support solidified for Bryant. Now, in the past when players have switched teams they've received the lion's share of the credit if the team improves. Steve Nash's questionable first MVP award is an example. But I can't remember a candidate's MVP talk skyrocketing like this when someone else gets traded to his team and his team shoots to the top. If Kobe Bryant is the MVP, why did it take Paul Gasol to make it clear?
And now the Rockets have shot to the top, beating the Lakers today for their 22nd win in a row -- the second longest streak in league history -- despite losing star center Yao Ming ten games ago (and he's out for the year). Their other star, Tracy McGrady, is a game-dominating player like Bryant, and McGrady has led his team despite losing his best teammate. Yet no one talks about McGrady as an MVP candidate. Can someone explain this to me?
Posted on March 10th, 2008 by Scraps.
Categories: Music, Songs.
Is "Time Has Come Today" by the Chambers Brothers (1966) the first dub song? I mean, obviously not in the historical sense, but in the sense that people will call the Stooges (or the Sonics, or the MC5, etc etc) the first punk band. Here's a one-minute example. Is there any earlier hit single fooling around with dub-type studio effects like this? (Probably.) Examples solicited.
Posted on March 9th, 2008 by Scraps.
Categories: Words, Pedantry.
Not "mixed tape". Where did that come from, anyway? I only started seeing it recently, but now I'm seeing it more often. Maybe someone decided that "mix tape" was ungrammatical. But "mixed tape" is just silly. It is not a tape that has been mixed. It is a tape of a mix. Everyone says "mix tape", and everyone understands what it means; the idiomatic use goes back thirty years or more, and has survived into the cd and mp3 era. It's neat and natural and useful, and should not be replaced with something awkward and nonsensical. Stomp out "mixed tape"!
Posted on March 7th, 2008 by Scraps.
Categories: Music.
In half an hour, I'll be running Name That Tune game number nine over at Popdose. Come on over.
Posted on March 3rd, 2008 by Scraps.
Categories: Words, Badness.
A couple more rhetorical bugs that signal the brief sleep of the conscious mind:
"Despite ... or perhaps even because of"
"That's not to say ... far from it"
Posted on March 2nd, 2008 by Scraps.
Categories: Music.
Well, not really. The single is all about iTunes downloads now. I knew that, but I didn't know how complete the transformation is. Idolator, as an aside in a piece analyzing the current charts, notes:
In a typical week, when there isn't a new CD single from an American Idol winner or a High School Musical star, the No. 1 single on Hot Singles Sales moves as little as 1,000 copies or less.
1,000 copies! (or less!) A single selling at that rate -- a number one single -- would take nearly ten years to go gold. 1,000 copies across the whole country! That's 20 copies per state.
I grew up buying singles; that's how I became obsessive about music: buying singles and listening to the Top 40 countdown every week (and writing down the chart, naturally). The death of the physical single.... I guess I feel like folks who grew up on 78s.
Posted on February 29th, 2008 by Scraps.
Categories: Music, Elsewhere.
Name That Tune #8 goes up in fifteen minutes at Popdose.
Posted on February 25th, 2008 by Scraps.
Categories: Music, Untruths, Cartoons.
Sent to me by Velma:
Posted on February 22nd, 2008 by Scraps.
Categories: Music, Elsewhere.
I keep forgetting to mention the new Name That Tune games on Fridays. Today, at 12:30 Eastern, I'll be running my Name That Tune game over at Popdose. Come over and play!
Posted on February 18th, 2008 by Scraps.
Categories: Music, Albums, 70s Survival.
It's probably obvious by now, but the Seventies Survival Project is dead. I've just found too many missing songs to continue in the spirit I originally intended. It's too bad, because it was fun.
But in the spirit of Pointless Obsession, I've decided -- don't ask why -- to really, really know 1990. To that end I am putting all my 1990 albums on my mp3 player, and investigating all the important ones I don't know, and even ones I dismissed at the time. I am using RateYourMusic's top albums of 1990 and esoteric albums of 1990 as my main references. This is especially useful in two ways: there's a lot of hiphop I don't know, and RateYourMusic is over-represented with metalheads. Of all the areas I have been largely ignorant of in recent years, those are the two I have been most interested in recently. Prog and folky stuff are also pretty well represented.
On the other hand, country hardly shows up there, and the annual Village Voice critics poll is unlikely to be much help there either. Anyone know a reliable source of best country albums by year? Modern jazz doesn't fare too well, either (though jazz dominates the RateYourMusic charts well into the 1960s).
I'm also deliberately trying to know as little as possible about the albums before I listen to them. Album titles and covers are often a giveaway, of course, but I'm not reading about albums before I listen to them.
Very preliminary listening reports:
Megadeth's Rust in Peace, despite the stupid title, is a fantastic album. I keep listening to it in headphones three times in a row, and none of it has palled. That one's a purchase.
Bathory's Hammerheart is not bad, but kinda silly. I mean, even for metal. Viking concept metal is just hard to take seriously, and much of it drags. Hugely influential, apparently.
Brand Nubian's One for All is very very groovy. I don't know why I'd never listened to it before, since I've known for a long time that I like most of the Native Tongues-related stuff. Another definite purchase.
Ice Cube's AmeriKKKa's Most Wanted, despite the dumb title and the standard tiresome braggadocio, has monstrous beats. Probable purchase.
Mike Oldfield's Amarok sounds like a meandering mess.
Posted on February 12th, 2008 by Scraps.
Categories: Music, Words.
We forgive the things we liked as children, and maybe even still enjoy them, because we didn't know any better and there's an innocent joy in returning to that total open-mindedness. But we often can't forgive the things we enjoyed as adolescents, because we were beginning to try to be adults, often self-importantly, and it can be excruciatingly embarrassing to be reminded of what we thought was deep and mature then.
Posted on February 12th, 2008 by Scraps.
Categories: Music, Songs.
The chord progressions for
"25 or 6 to 4" by Chicago,
and
"Babe I'm Gonna Leave You" by Led Zeppelin.